| 001. Kenneth Miller Adams (1897–1966), The Mission Church, before 1925 |
| 002. Irving R. Bacon (1875–1962), The Conquest of the Prairie, 1908 |
| 003. George Bellows (1882–1925), Pueblo, Tesuque, Number One, 1917 |
| 004. Thomas Hart Benton (1889–1975), Boomtown, 1928 |
| 005. Oscar E. Berninghaus (1874–1952), Too Old for the Rabbit Hunt, 1927 |
| 006. Oscar E. Berninghaus (1874–1952), Peace and Plenty, 1925 |
| 007. Albert Bierstadt (1830–1902), Among the Sierra Nevada Mountains, California, 1868 |
| 008. Albert Bierstadt (1830–1902), The Oregon Trail, 1869 |
| 009. Albert Bierstadt (1830–1902), The Great Trees, Mariposa Grove, California, 1876 |
| 010. Albert Bierstadt (1830–1902), Mountain Landscape, 1895 |
| 011. George Caleb Bingham (1811–1879), The Jolly Flatboatmen, 1846 |
| 012. Ernest L. Blumenschein (1874–1960), The Peacemaker, 1913 |
| 013. Ernest L. Blumenschein (1874–1960), Sangre de Cristo Mountains, 1925 |
| 014. Ernest L. Blumenschein (1874–1960), Moon, Morning Star, and Evening Star, 1922 |
| 015. Karl Bodmer (1809–1893), Junction of the Yellowstone and the Missouri, 1833 |
| 016. Carl Oscar Borg (1879–1947), The Niman Kachinas, 1926 |
| 017. Carl Oscar Borg (1879–1947), Sons of the Desert, c. 1925 |
| 018. Gutzon Borglum (1871–1941), Staging in California, 1889 |
| 019. Maurice Braun (1877–1941), California Valley Farm, c. 1920 |
| 020. Valentine Bromley (1848–1877), Portrait of an Indian Chief, 1875 |
| 021. Albertus del Orient Browere (1814–1887), Goldminers, 1858 |
| 022. George de Forest Brush (1855–1941), The Shield Maker, 1890 |
| 023. William Cary (1840–1922), Buffalo Bill on Charlie, n.d. |
| 024. Gerald Cassidy (1879–1934), Indians Outside Taos Pueblo, n.d. |
| 025. Gerald Cassidy (1879–1934), The Pottery Maker, 1912–17 |
| 026. George Catlin (1796–1872), George Lowrey, n.d. |
| 027. George Catlin (1796–1872), Buffalo Chase with Bows and Lances, 1832–33 |
| 028. George Catlin (1796–1872), Sioux War Council, c. 1848 |
| 029. George Catlin (1796–1872), Crow Chief, c. 1850 |
| 030. Eanger Irving Couse (1866–1936), Elk-Foot of the Taos Tribe, 1909 |
| 031. Eanger Irving Couse (1866–1936), Hunting for Deer, 1909 |
| 032. Henry Cross (1837–1918), Geronimo, c. 1900 |
| 033. Charles Deas (1818–1867), The Death Struggle, c. 1845–47 |
| 034. Charles Deas (1818–1867), Indian Ball Game, 1843 |
| 035. Charles Deas (1818–1867), A Group of Sioux, 1845 |
| 036. Maynard Dixon (1875–1946), The Medicine Robe, 1915 |
| 037. William de Leftwich Dodge (1867–1935), The Death of Minnehaha, 1885 |
| 038. William Herbert Dunton (1878–1936), Crow Outlier, c. 1896. |
| 039. William Herbert Dunton (1878–1936), Sentinel of the Plains, 1906 |
| 040. Thomas Eakins (1844–1916), Frank Hamilton Cushing, n.d. |
| 041. Seth Eastman (1808–1875), The Indian Council, |
| 042. Henry Farny (1847–1916), Indian Encampment, 1901 |
| 043. Henry Farny (1847–1916), The Hunter, 1900 |
| 044. William Hahn (1829–1887), Vallejo Street Wharf—Arrival of Government Horses (The Government Corral), n.d. |
| 045. William Hahn (1829–1887), Market Scene, Sansome Street, San Francisco, 1872 |
| 046. Marsden Hartley (1877–1943), Desert Scene, 1911 |
| 047. Childe Hassam (1859–1935), Sand Springs Butte, 1904 |
| 048. William Jacob Hays (1830–1875), The Gathering of the Herds, 1866 |
| 049. William Penhallow Henderson (1877–1943), Feast Day: San Juan Pueblo, c. 1921 |
| 050. E. Martin Hennings (1886–1956), Taos Plaza, Winter 1921 |
| 051. Robert Henri (1865–1929), Miguel of Tesuque, 1917 |
| 052. Herman Herzog (1831–1932), Nevada Fall, Yosemite, 1875 |
| 053. Victor Higgins (1884–1949), Mountain Forms #2, c. 1925–27 |
| 054. Thomas Hill (1829–1908), Emerald Lake near Tahoe, 1880–1900 |
| 055. Thomas Hill (1829–1908), View of Yosemite Valley, 1871 |
| 056. Edward Hopper (1882–1967), St. Francis's Towers, Santa Fe, 1925 |
| 057. Henry Inman (1801–1846), Crouching Eagle (after a work by Charles Bird King), c. 1833 |
| 058. George Inness (1825–1894), Afterglow on the Prairie, 1856 |
| 059. John Wesley Jarvis (1780–1840), Black Hawk and His Son, Whirling Thunder, 1833 |
| 060. William Smith Jewett (1812–1873), The Promised Land—The Grayson Family, 1850 |
| 061. Frank Tenney Johnson (1874–1939), The Pony Express, 1924 |
| 062. Charles Bird King (1785–1862), Young Omaha, War Eagle, Little Missouri, and Pawnees, 1821 |
| 063. Leon Kroll (1884–1974), Santa Fe Hills, 1917 |
| 064. William Robinson Leigh (1866–1955), Zuni Pottery Maker, 1907 |
| 065. William Robinson Leigh (1866–1955), Navajo Scout, 1915 |
| 066. Emanuel Gottlieb Leutze (1816–1868), Westward the Course of Empire Takes Its Way, 1861 |
| 067. Louis Maurer (1832–1932), The Great Royal Buffalo Hunt, 1895 |
| 068. Louis Maurer (1832–1932), Buffalo Bill Fighting Indians, c. 1885 |
| 069. Alfred Jacob Miller (1810–1874), The Lost Greenhorn, n.d. |
| 070. Alfred Jacob Miller (1810–1874), Sir William Drummond Stewart Meeting Indian Chief, n.d. |
| 071. Alfred Jacob Miller (1810–1874), Antoine Clement, the Great Hunter, 1837 |
| 072. Alfred Jacob Miller (1810–1874), The Trapper's Bride, 1845 |
| 073. Thomas Moran (1837–1926), The Grand Canyon, 1913 |
| 074. Thomas Moran (1837–1926), Children of the Mountain, 1866 |
| 075. Thomas Moran (1837–1926), An Indian Pueblo, Laguna, New Mexico, 1908 |
| 076. Charles Christian Nahl (1818–1878), Vaqueros Roping a Steer, 1866 |
| 077. Charles Christian Nahl (1818–1878), Sunday Morning in the Mines, 1872 |
| 078. Bert Geer Phillips (1868–1956), Song of the Aspen, c. 1926–28 |
| 079. Bert Geer Phillips (1868–1956), The Santero, c. 1918 |
| 080. Henry Cheever Pratt (1803–1880), View from Maricopa Mountain near the Rio Gila, |
| 081. Howard Pyle (1853–1911), George Rogers Clark on His Way to Kaskaskia, n.d. |
| 082. William Tylee Ranney (1813–1857), Prairie Burial, 1848 |
| 083. William Tylee Ranney (1813–1857), Kit Carson, 1854 |
| 084. William Tylee Ranney (1813–1857), Advice on the Prairie, 1853 |
| 085. Frederic Remington (1861–1909), Aiding a Comrade, c. 1890 |
| 086. Frederic Remington (1861–1909), Conjuring Back the Buffalo, 1892 |
| 087. Frederic Remington (1861–1909), Old Stage Coach of the Plains, 1901 |
| 088. Frederic Remington (1861–1909), The Buffalo Hunt, 1890 |
| 089. Frederic Remington (1861–1909), A Dash for the Timber, 1889 |
| 090. Frederic Remington (1861–1909), Against the Sunset, 1906 |
| 091. Charles M. Russell (1864–1926), Piegans, 1918 |
| 092. Charles M. Russell (1864–1926), Camp Cook's Troubles, 1912 |
| 093. Charles M. Russell (1864–1926), When Law Dulls the Edge of Chance, 1915 |
| 094. Charles M. Russell (1864–1926), In Without Knocking, 1909 |
| 095. Charles M. Russell (1864–1926), For Supremacy, 1895 |
| 096. Charles Schreyvogel (1861–1912), Breaking Through the Line, n.d. |
| 097. Charles Schreyvogel (1861–1912), In Safe Hands, 1909 |
| 098. Olaf C. Seltzer (1877–1957), Watching for the White Man's Boats, n.d. |
| 099. Joseph Henry Sharp (1859–1953), Pointing with Pride to His Record, c. 1920–24 |
| 100. Joseph Henry Sharp (1859–1953), The Voice of the Great Spirit, 1906 |
| 101. Joseph Henry Sharp (1859–1953), Sunset Dance—Ceremony to the Evening Sun, 1924 |
| 102. Joseph Henry Sharp (1859–1953), Making Sweet Grass Medicine, Blackfoot Ceremony, c. 1920 |
| 103. John Sloan (1871–1951), Chama Running Red, 1925 |
| 104. De Cost Smith (1864–1939), Antelope Hunting—South Dakota, c. 1880s |
| 105. John Mix Stanley (1814–1872), Oregon City on the Willamette River, c. 1850–58 |
| 106. John Mix Stanley (1814–1872), Osage Scalp Dance, 1845 |
| 107. Arthur Fitzwilliam Tait (1819–1905), Trappers Following the Trail: At Fault, 1851 |
| 108. Arthur Fitzwilliam Tait (1819–1905), Buffalo Hunt, 1861 |
| 109. John Henry Twachtman (1853–1902), Waterfall in Yellowstone, c. 1895 |
| 110. Walter Ufer (1876–1936), Autumn, c. 1926 |
| 111. Walter Ufer (1876–1936), The Bakers, 1917 |
| 112. Walter Ufer (1876–1936), Where the Desert Meets the Mountain, before 1922 |
| 113. Walter Ufer (1876–1936), Callers, c. 1926 |
| 114. James Walker (1819–1889), Judges of the Plains, 1877 |
| 115. Thomas Worthington Whittredge (1820–1910), On the Plains, Cache la Poudre River, 1865 |
| 116. Thomas Worthington Whittredge (1820–1910), On the Cache la Poudre River, Colorado, 1876 |
| 117. Charles Wimar (1828–1862), Buffalo Hunt, 1861 |
| 118. Charles Wimar (1828–1862), The Captive Charger, 1854 |
| 119. N. C. Wyeth (1882–1944), On the October Trail (A Navajo Family), 1908 |
| 120. N. C. Wyeth (1882–1944), Above the Sea of Round, Shiny Backs the Thin Loops Swirled and Shot into Volumes of Dust, |
| BONUS IMAGES |
| 1. Oscar E. Berninghaus (1874–1952), Indian Farmer, 1926 |
| 2. Albert Bierstadt (1830–1902), Sunrise, Yosemite Valley, c. 1870 |
| 3. George Catlin (1796–1872), Stu-Mick-o-súcks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe, 1832 |
| 4. Charles Deas (1818–1867), Long Jakes, 1844 |
| 5. Thomas Hill (1829–1908), Bridal Veil Falls, Yosemite, c. 1870–84 |
| 6. William Robinson Leigh (1866–1955), The Scout, c. 1922 |
| 7. Frederic Remington (1861–1909), Dismounted: The Fourth Trooper Moving the Led Horses, 1890 |
| 8. Joseph Henry Sharp (1859–1953), Crow Encampment, Montana, c. 1902–10 |
| 9. James Walker (1819–1889), Vaqueros Roping Horses in a Corral, 1877 |
| 10. N. C. Wyeth (1882–1944), The Pay Stage, 1909 |