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Rhythmic Form in Art by Irma A. Richter
In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium. Richter illuminates the connections between art and science by surveying works of art from classical antiquity through the Modernist era, illustrating how artists animate their works with geometric principles. 38 figures. 34 plates. Republication of the London, 1932 edition.
Table of Contents for Rhythmic Form in Art
| I. Introduction | | a. Architecture, Sculpture and Painting | | b. Painting and Music | | c. Proportion in Space | | II. Pythagoras | | III. Greek Art and Mathematics | | IV. Mathematical Definitions | | a. Geometric Proportion | | b. Divine Proportion | | c. Geometric Progression | | d. Table of Arithmetic Values | | e. Pentagon and Decagon | | V. Rhythmic Division of Space in Art | | VI. Timæus | | a. Creation by Geometry | | b. The Timæus in Christian Cosmology | | c. Plato and the Renaissance | | VII. Egypt | | a. Tombstone of an Egyptian King | | b. Pectoral of Senusert II | | VIII. The Greek Vase | | a. Vase Forms | | b. Vase Painting | | IX. A Greek Relief | | X. The Parthenon | | a. The Euthynteria | | b. The Stylobate | | c. The Doric Order | | d. The Peristyle | | e. The Capital | | f. The Façade | | g. The Metope | | h. The Cella | | i. The Naos | | Appendix | | XI. The Middle Ages | | a. Chartres | | b. Aureoles and Nimbi | | c. Dante's Zones of Heaven | | XII. Italian Painting | | a. The Origin | | b. The Quattrocento | | c. The Cinquecento | | d. Venice | | XIII. Some Masterpieces of other Schools | | Dürer, El Greco, Poussin, Fragonard, Hogarth, Cézanne | | XIV. A Retrospect | | Index |
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