| Introduction |
| Instrumentation |
| About the Transcriptions |
| Tuning and Transposition |
| Types of Transcriptions |
| THE THRID AND LAST BOOKE |
| I. Farewell too fair |
| II. Time stands still |
| III. Behold a wonder here |
| IV. Daphne was not so chaste |
| V. "Me, me and none but me" |
| VI. When Phoebus first did Daphne love |
| VII. Say Love if ever thou didst find |
| VIII. Flow not so fast ye fountains |
| IX. What if I never speed? |
| X. Love stood amaz'd |
| XI. Lend your ears to my sorrow |
| XII. By a fountain where I lay |
| XIII. Oh what hath overwrought |
| XIV. Farewell unkind farewell |
| XV. "Weep you no more, sad fountains" |
| XVI. Fie on this feigning |
| XVII. I must complain |
| XVIII It was a time when silly bees could speak |
| XIX. The lowest trees have tops |
| XX. What poor astronomers are they |
| XXI. Come when I call (for two voices and two lutes) |
| A PILGRIMES SOLACE |
| I. Disdain me still |
| II. Sweet stay awhile |
| III. To ask for all thy love |
| IV. Love those beams |
| V. "Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre "Shall I strive with words to move." |
| VI. Were every thought an eye |
| VII. Stay Time awhile thy flying |
| VIII. Tel me true Love (with chorus) |
| The next three with treble and bass viols ofr violin and cello: |
| IX. Go nightly cares |
| X. From silent night |
| XI. Lasso vita mia |
| XII. In this trembling shadow |
| XIII. If that a sinner's sighs |
| A three-part work: |
| XIV. Thou mighty God |
| XV. When David's life |
| XVI. When the poor cripple |
| XVII. Where sin sore wounding |
| XVIII. My heart and tongue were twins |
| The next with chorus: |
| XIX. Up merry mates |
| XX. Welcome black night |
| XXI. Cease these false sports |
| "THREE AYRES FROM "A MUSICALL BANQUET" |
| Far from triumphing Court |
| Lady if you so spite me |
| In darkness let me dwell |
| GALLIART TO LACHRIMAE |
| "A lute solo from A Pilgrimes Solace, transcribed for guitar" |