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Complete Guide to Watercolor Painting by Edgar A. Whitney
Comprehensive, popular guide by renowned artist and teacher presents a full course of watercolor painting, from basics to creating landscapes; painting portraits and figures; drawing; following design principles; and matting, framing, and selling completed works. Two full-color sections show how to create 7 of the author's watercolors. 37 color illustrations, over 100 black-and-white illustrations.
Table of Contents for Complete Guide to Watercolor Painting
| Introduction | | 1. Tools for Watercolor | | THE VIRTUES OF WATERCOLOR | | WATERCOLOR'S NATURE | | THE TOOLS | | PAPER AND COLORS | | STRETCHING PAPER | | COLOR PRESS PAPER | | SMOOTH PAPER | | PALETTE | | BRUSHES | | COLOR PALETTE | | WATER CAN | | KNIFE | | OTHER TOOLS | | CARRYING THE TOOLS | | 2. The Drills | | FLAT WASH ON DRY PAPER | | FLAT WASH ON WET PAPER | | GRADED WASH ON DRY PAPER | | GRANULATED WASH | | "THE "LIFT" | | WET IN WET DIFFUSIONS | | COLOR DRILL | | 3. Painting the Picture | | THE CREATIVE CONCEPT | | EMOTIONAL INVOLVEMENT | | BEING SELECTIVE | | SUBJECT MATTER | | SYMBOLS | | SIGNIFICANT DESIGN | | SHAPES | | PATTERS | | SIX PATTERN SCHEMES | | CONTRIVING THE DESIGN | | THE SMALL ROUGH | | DESIGNING WITH A LARGE BRUSH | | "SEEING" A VALID DESIGN" | | DESIGNING WITH THE PENCIL | | NOTATED SKETCHES | | QUICKIES | | CHOOSING THE TECHNIQUE | | ORGANIZING YOUR PICTURE | | EXPRESSION IN LOWEST POSSIBLE TERMS | | RESTRICTING YOUR VALUES | | SEEING VALUE DIFFERENCES | | BEST VALUE SEQUENCE | | "KEYING" | | VISUAL STRENGTH OF WHITE | | MIX COLOR ON THE PAPER | | WATERCOLOR METHODS | | WETTING THE PAPER | | KEEPING THE PAPER WET | | RE-WETTING | | DRYING | | DRY BRUSH | | CORRECTIONS | | RECLAIMING LOST WHITES | | USING UNSUCCESSFUL PAINTINGS | | DEMONSTRATION PAINTINGS | | 4. Landscape Painting | | SUN ON PAPER? | | TREES | | WOOD INTERIOR | | BIRCHES | | SAND DUNES | | MOONLIGHT | | THE OCEAN | | SURF | | ROCKS | | SNOW | | REFLECTIONS IN WATER | | SKIES | | CLOUDS | | FOG | | OUTDOOR LIGHT | | GRAY DAYS | | INTERIORS | | OTHER LAWS OF THREE DIMENSIONS | | DESIGN CHARACTER | | GRADATION | | FOREGROUNDS | | RELATED FIGURES | | EDGES | | DEMONSTRATION PAINTINGS | | 5. Figure and Portrait Pai | | "FRESHNESS, ESSENTIAL" | | "THE "PUDDLE" METHOD" | | DRY METHOD A | | DRY METHOD B | | DRY METHOD C | | DRY METHOD D | | WET METHOD A | | WET METHOD B | | BACKGROUNDS | | SEEING YOUR MODEL | | USING THE LAWS OF LIGHT | | PAINTING MEANS WORK | | 6. Principles of Design | | UNITY | | CONFLICT | | DOMINANCE | | REPETITION | | ALTERNATION | | BALANCE | | HARMONY | | GRADATION | | A NECESSARY TOOL | | EIGHT WORDS: DESIGN PRINCIPLES | | FIFTEEN WORDS: PRINCIPLES AND ELEMENTS OF DESIGN | | PAINTINGS IN COLOR | | 7. Elements of Design | | LINE | | VALUE | | COLOR | | HUE | | VALUE | | INTENSITY | | MONOCHROMATIC HARMONY | | COMPLEMENTARY HARMONY | | ANALOGOUS HARMONY | | SPLIT COMPLEMENTARY | | TRIADIC HARMONY | | TEXTURE | | SHAPE | | SIZE | | DIRECTION | | USING THESE ELEMENTS | | BOTH ARTIST AND CRITIC | | 8. Drawing | | DRAWING IS THE FOUNDATION | | UNDERSTANDING THE FIGURE | | USING PRINCIPLES | | DRAWING EVERYWHERE | | VARY YOUR DRAWINGS | | VARY YOUR TOOLS | | SEEING VOLUME | | VARY THE LINES | | DRAWING WITH ALL THE SENSES | | CONTOUR DRAWING | | GESTURE DRAWING | | THE EXPERIENCE | | STUDY THE LIGHTING | | CAST SHADOWS | | DRAPERY | | SOLID FORMS | | SHADE AND SHADOW | | PERSPECTIVE | | LOCAL COLOR VALUE | | FRESHNESS | | STRUCTURE | | DRAUGHTSMAN'S MISCELLANY | | BE BOLD | | DRAW CONTINUOUSLY | | 9. "Matting, Framing, and Selling" | | MATTING | | FRAMING | | PRICING | | 10. A Craft Philosophy and Art Today | | YOUR EMOTIONS | | A CRAFT PHILOSOPHY | | PAINTING TODAY | | WHAT IS ART? | | 11. Color Demonstrations | | Notes | | Conclusion | | Epilogue | | Bibliography | | Index |
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