| Alfred, Lord Tennyson |
| The Kraken |
| Mariana |
| The Lady of Shalott |
| The Lotos-Eaters |
| Ulysses |
| Tithonus |
| Locksley Hall |
| Break, Break, Break |
| Sweet and Low |
| The Splendor Falls |
| Tears, Idle Tears |
| Now Sleeps the Crimson Petal |
| The Charge of the Light Brigade |
| Flower in the Crannied Wall |
| Crossing the Bar |
| From In Memoriam A. H. H. |
|
| Thomas Hood |
| The Song of the Shirt |
| The Bridge of Sighs |
| Time of Roses |
| The Death-bed |
|
| Edward Lear |
| How Pleasant to Know Mr. Lear |
| The Jumblies |
|
| Robert Browning |
| My Last Duchess |
| Soliloquy of the Spanish Cloister |
| Porphyia's Lover |
| "How They Brought the Good News from Ghent to Aix" |
| The Lost Leader |
| Home-Thoughts from Abroad |
| The Bishop Orders His Tomb at Saint Praxed's Church |
| Meeting at Night |
| Parting at Morning |
| Fra Lippo Lippi |
| A Toccata of Galuppi's |
| The Last Ride Together |
| Adrea del Sarto |
| Rabbi Ben Ezra |
| Caliban upon Setebos |
|
| Elizabeth Barrett Browning |
| Sonnets from the Portuguese |
| I I thought once how Theocritus had sung |
| V I lift my heavy heart up solemnlym |
| XIV If thou must love me, let it be for nought |
| XX Belovèd, my Belovèd, when I think |
| XXI Say over again, and yet once over again, |
| XXII When our two souls stand up erect and strong, |
| XXXV If I leave all for thee, wilt thou exchange |
| XLI I thank all who have loved me in their hearts, |
| XLIII How do I love thee? Let me count the ways. |
| XLIV Belovèd, thou hast brought me many flowers |
| Grief |
| To George Sand: A Desire |
| To George Sand: A Recognition |
| A Musical Instrument |
|
| Edward FitzGerald |
| From The Rubaiyat of Omar Khayyám |
|
| Emily Brontë |
| Stars |
| Remembrance |
| Song |
| The Prisoner: A Fragment |
| Hope |
| How Clear She Shines |
| The Old Stoic |
| The Night-Wind |
| No Coward Soul Is Mine |
|
| Arthur Hugh Clough |
| Say Not the Struggle Naught Ava |
| The Latest Decalogue |
|
| Matthew Arnold |
| Dover Beach |
| To a Friend |
| The Foresaken Merman |
| Lines Written in Kensington Gardens |
| The Buried Life |
| The Scholar Gipsy |
| To Marguerite |
| The Last World |
|
| Coventry Patmore |
| Departure |
| The Toys |
| A Farewell |
| Magna Est Veritas |
| Woman |
| Thoughts |
| The Kiss |
| Auras of Delight |
|
| George Meredith |
| Lucifer in Starlight |
| Seed-Time |
| From Modern Love |
| I By this he knew she wept with waking eyes: |
| II It ended, and the morrow brought the task. |
| III This was the woman; what now of the man? |
| V A message from her set his brain aflame. |
| XVI In our old shipwrecked days there was an hour, |
| XXXIV Madam would speak with me. So, now it comes: |
| XLV It is the season of the sweet wild rose, |
| XLVI At last we parely: we so strangely dumb |
| XLIX He found her by the ocean's moaning verge, |
| L Thus piteously Love closed what he begat. |
|
| Dante Gabriel Rossetti |
| The Blessèd Damozel |
| The Choice |
| The Woodspurge |
| Penumbra |
| The Sea-Limits |
| From The House of Life |
| A Sonnet |
| III Love's Testament |
| IV Lovesight |
| XI The Love-Letter |
| XIX Silent Noon |
| XXVII Heart's Compass |
| XLIII Love and Hope |
| XLVIII Death-in-Love |
| XLIX Willowwood 1 |
| L Willowwood 2 |
| LI Willowwood 3 |
| LII Willowwood 4 |
| XCVII A Superscription |
| CI The One Hope |
|
| Christina Rossetti |
| A Triad |
| A Birthday |
| Remember |
| After Death |
| An Apple Gathering |
| Winter: My Secret |
| "No, Thank You, John" |
| Song |
| A Portrait |
|
| Lewis Carroll |
| Jabberwocky |
| The Walrus and the Carpenter |
|
| James Thomson |
| The Bridge |
| Midsummer Courtship |
| Art |
| In the Room |
|
| William Morris |
| The Message of the March Wind |
| Summer Dawn |
| Shameful |
| The Sailing of the Sword |
| Love Is Enough |
|
| Algernon Charles Swinburne |
| The Garden of Proserpine |
| Hymn to Proserpine |
| Chorus from 'Atalanta' |
| Super Flumina Babylonis |
| Love and Sleep |
| Child's Song |
| A Ballad of Life |
| A Ballad of Death |
|
| Gerard Manley Hopkins |
| God's Grandeur |
| The Starlight Night |
| Spring |
| The Windhover |
| Pied Beauty |
| Duns Scotus's Oxford |
| Felix Randal |
| As Kingfishers Catch Fire |
| Spring and Fall |
| (Carrion Comfort) |
| No Worst, There Is None, Pitched Past Pitch of Grief |
| Tom's Garland |
| I Wake and Feel the Fell of Dark, Not Day |
| Thou Art Indeed Just, Lord, If I Contend |
|
| William Ernest Henley |
| Invictus |
| On the Way to Kew |
|
| Oscar Wilde |
| Hélas! |
| Impression du Matin |
| E Tenebris |
| Impressions |
| 1. Les Silhouettes |
| 2. La Fuite de la Lune |
| The Harlots House |
| Symphony in Yellow |
|
| Francis Thompson |
| The Hound of Heaven |
|
| Rudyard Kipling |
| Danny Deever |
| Gunga Din |
| The Widow at Windsor |
| If- |
| Recessional |
| The Female of the Species |
|
| Ernest Dowson |
| Non Sum Qualis Eram Bonae Sub Regno Cynarae |
| To One in Bedlam |
| A Last Word |