| MAP OF TRIBES |
| INTRODUCTION |
| General Considerations |
| The University of Masks |
| The Distribution of Masks |
| Europe |
| Asia |
| North America |
| Mesoamerica and South America |
| Africa |
| Australia |
| PART ONE The African Point of View |
| 1 "MYTH, RITUAL AND DANCE" |
| The Significance of Myth |
| Masks as Implements in Rituals |
| Drama in Masked Dance |
| The Dancer |
| The Audience |
| The Play |
| 2 IDEOLOGY |
| Sensory Perception |
| The African's World View |
| Levels of Consciousness |
| Fused Oneness |
| Mystical Participation |
| Group Identity |
| "The Concept of Soul, a Vital Energy" |
| Animism |
| Index of Culture |
| The Effect of Religiosity on Art |
| 3 THE USES OF AFRICAN MASKS |
| Rituals of Cosmogony and Myth |
| Cosmogonic Myths |
| Moon Rituals |
| Mythological Heroes |
| Mythological Animals |
| Fertility Rituals |
| Rituals for Increase |
| Agricultural Festivities |
| Funerals |
| Funerary Rituals |
| Ancestor Cults |
| Interconnection Between Various Fertility Rituals |
| Initiation Ceremonies and the Role of the Secret Societies |
| Initiation and the Adolescent |
| Adult Secret Societies |
| Other Functions |
| Law Enforcement and Judging Disputes |
| "Healing, Divination, Exorcism, Fighting Sorcerers" |
| Protective Amulets |
| Casting Spells |
| Social Control and Sanitation |
| Presenting Petitions |
| Averting Disaster; Welcoming Chiefs and Visitors |
| Social Well-Being and Mutual Aid |
| Fire Warning |
| Hunting |
| PART TWO The Western Point of View |
| 4 THE CLASSIFICATION OF AFRICAN MASKS |
| Form and Shape |
| Face Coverings |
| Helmut Masks |
| Headdresses |
| Masks with Prominent Breasts |
| Small Masks as Amulets |
| Masks as Insignia of Grade |
| Crowns Made of Beadwork |
| Other Forms |
| Size of the Masks |
| Materials |
| Wood |
| Ivory |
| Other Materials |
| Combination of Materials |
| The Carver |
| Tools |
| 5 FACIAL CHARACTERI |
| Human Masks |
| Masks with Naturalistic Features |
| Masks with Idealized Features |
| Masks with Frightening Expressions |
| Abstract Carvings |
| The Mask as Structure |
| Semi-Abstract Masks |
| Highly Abstract Masks |
| Animal Masks and Heads |
| Masks with Animal Features |
| Combination of Human and Animal Features |
| Masks with Superstructures |
| Masks Surmounted by Human Beings |
| Masks with Animals as Superstructures |
| Masks with Other Types of Superstructures |
| 6 TRIBAL STYLES: A CONSECUTIVE GUIDE TO THE PLATES BY COUNTRY AND TRIBE |
| 7 PSYCHOLOGICAL MOTIVATIONS |
| The Syncretic Thought Process and Wish Projection |
| Syncretic Thought Process |
| Wish Projection |
| The Masked Man Without a Mask |
| THE PLATES |
| SUPPLEMENT: THE MASK IS STILL DANCING |
| BIBLIOGRAPHY |
| CREDITS: COLLECTORS AND PHOTOGRAPHERS |