| PART I NATURE'S PERSPECTIVE AS SEEN AND USED DAILY BY PAINTERS |
| I. THE PRINCIPLE OF PERSPECTIVE IN THEORY |
| Visual rays |
| Tracing on glass |
| Perspective terms |
| II. THE RULES OF PERSPECTIVE AND THEIR APPLICATION |
| Receding lines |
| III. DEPTHS |
| Division of lines |
| Inclined planes |
| Squares |
| Diagonals |
| IV. THE USE OF PLANS IN SKETCHING FORESHORTENED SURFACES |
| Squares |
| Pavements |
| Rooms |
| Concentric squares |
| V. INCLINED PLANES |
| Steps |
| Staircases |
| VI. INCLINED PLANES-continued |
| Roads |
| Doorways |
| Walls |
| Hayfields |
| Cornfields |
| Seashore |
| VII. THE CIRCLE |
| From below |
| In a square |
| Parallel |
| Concentric |
| VIII. THE CIRCLE-continued |
| Wheels |
| Steps |
| Columns |
| Rooms |
| Niches |
| Towers |
| IX. ARCHES |
| How to draw them |
| Bridges |
| Groined roofs |
| X. HOW TO DRAW CURVES BY STRAIGHT LINES |
| Bridges |
| Flowers |
| Foliage |
| Water |
| Heads |
| Figures |
| XI. ARCHITECTURE OF THE VILLAGE |
| Roofs |
| Gables |
| Windows |
| Chimneys |
| Church |
| Towers |
| Battlements |
| Steeple |
| Composite pyramid |
| XII. "CONCERNING DOMES, TURRETS AND STEEPLES" |
| Octagonal steeple on square tower |
| Tower and steeple |
| Composite Domes |
| XIII. PERSPECTIVE OF THE SKY AND SEA |
| Sky |
| Clouds |
| Smoke |
| Sea |
| Distant objects |
| XIV. PERSPECTIVE OF REFLECTIONS |
| Water |
| Inclined planes |
| Distant objects |
| A punt |
| Arches |
| Rippled water |
| In a mirror |
| Refraction |
| XV. PERSPECTIVE OF SHADOWS |
| From the sun |
| Sun in front |
| Sun behind |
| On one side |
| Artificial light |
| XVI. PAVEMENTS |
| "Tiles: Square, Ornamental" |
| Concentric squares |
| Octa |
| Hexagon |
| Lozenge |
| XVII. PERSPECTIVE OF BOATS AND SHIPPING |
| Guiding points for curves |
| The sketch plan |
| Correct distances |
| Effect of distance |
| XVIII. PERSPECTIVE FROM UNUSUAL POINTS OF VIEW |
| From a bridge |
| From an airship |
| Looking at the sky |
| Position of the painter |
| Mural painting |
| "Objects near to, in confined spaces" |
| PART II PERSPECTIVE AS PRACTISED BY OTHER NATIONS AND AT OTHER TIMES |
| XIX. PERSPECTIVE IN GREEK AND ROMAN AND OTHER PAINTINGS |
| Greek |
| Roman |
| Egyptian |
| Early Italian |
| Italian and Dutch Schools |
| XX. PERSPECTIVE IN SOME FRENCH AND ENGLISH PAINTINGS |
| Engraving |
| Book illustrating |
| Painting of ships |
| XXI. NOTES ON THE PERSPECTIVE OF THE JAPANESE |
| PART III MECHANICAL PERSPECTIVE |
| XXII. MECHANICAL PERSPECTIVE: INTRODUCTION |
| Architecture |
| Plan and elevation |
| Heights |
| XXIII. MECHANICAL PERSPECTIVE-continued |
| To find the depth of a house |
| Practical and mechanical perspective |
| Perspective of a ship |
| APPENDIX. |
| I. Enlarging a sketch |
| II. To divide a line in given proportions |
| III. To transfer the division of a line |
| To estimate the measurements of a canvas proportionately larger or smaller |
| BIBLIOGRAPHY |
| INDEX |