| I. THE MEDIUMS USED IN PAINTING |
| II. THE WRITTEN EVIDENCE ON EARLY PAINTING METHODS IN OIL |
| III. THE WRITTEN EVIDENCE ON EARLY PAINTING METHODS IN OIL (contd.) |
| IV. WOOD PANELS AND PAPER |
| V. PRIMING OF PANELS AND CANVAS |
| VI. THE PIGMENTS USED IN PAINTING |
| VII. THE PIGMENTS USED IN PAINTING (contd.) |
| VIII. THE BEHAVIOUR OF WHITE LIGHT |
| IX. COLOUR AND THE PRISM |
| X. "LINSEED OIL, WALNUT OIL, AND POPPY OIL" |
| XI. THE OPTICAL PROPERTIES OF OIL |
| XII. HOW TO PAINT OIL PICTURES |
| XIII. "BALSAMS, RESINS, VARNISHES, ETC." |
| XIV. HOW TOP PAINT IN TEMPERA |
| XV. EMULSIONS |
| XVI. FRESCO PAINTING |
| XVII. MODERN METHODS OF FRESCO PAINTING |
| XVIII. OTHER METHODS OF WALL PAINTING |
| XIX. PRESERVATION AND CLEANING OF PICTURES |
| XX. CONCLUSION |
| INDEX |