| INTRODUCTION |
| PART I. THE NATURE OF BEAUTY |
| 1. The philosophy of beauty is a theory of values |
| 2. Preference is ultimatly irrational |
| 3. Contrast between moral and æsthetic values |
| 4. Work and play |
| 5. All values are in one sense æsthetic |
| 6. Æsthetic consecration of general principles |
| 7. Æsthetic and physical pleasure |
| 8. The differentia of æsthetic pleasure not its disinterestedness |
| 9. The differentia of æsthetic pleasure not its universality |
| 10. The differentia of æsthetic pleasure: its objectication |
| 11. The definition of beauty |
| PART II. THE MATERIALS OF BEAUTY |
| 12. All human functions may contribute to the sense of beauty |
| 13. The influence of the passion of love |
| 14. Social instincts and their æsthetic influence |
| 15. The lower senses |
| 16. Sound |
| 17. Colour |
| 18. Materials surveyed |
| PART III. FORM |
| 19. There is a beauty of form |
| 20. Physiology of the perception of form |
| 21. Values of geometrical figures |
| 22. Symmetry |
| 23. Form the unity of a manifold |
| 24. Multiplicity in uniformity |
| 25. Example of the stars |
| 26. Defects of pure multiplicity |
| 27. Æsthetics of democracy |
| 28. Values of types and values of examples |
| 29. Origin of types |
| 30. The average modified in the direction of pleasure |
| 31. Are all things beautiful? |
| 32. Effects of indeterminate organization |
| 33. Example of landscape |
| 34. Extensions to objects usually not regarded æsthetically |
| 35. Further dangers of indeterminateness |
| 36. Illusion of infinite perfection |
| 37. Organized nature the source of apperceptive forms; example of sculpture |
| 38. Utility the principle of organization in nature |
| 39. The relation of utility to beauty |
| 40. Utility the principle of organization in the arts |
| 41. Form and adventitious ornament |
| 42. Form in Words |
| 43. Syntactical form |
| 44. Literary form. The plot |
| 45. Character as an æthetic form |
| 46. Ideal characters |
| 47. The religious imagination |
| PART IV. EXPRESSION |
| 48. Expression defined |
| 49. The associative process |
| 50. Kinds of value in the second term |
| 51. Æsthetic value in the second term |
| 52. Practical value in the same |
| 53. Cost as an element of effect |
| 54. The expression of economy and fitness |
| 55. The authority of morals over æsthetics |
| 56. Negative values in the second term |
| 57. Influence of the first term in the pleasing expression of evil |
| 58. "Mixture of other expressions, including that of t |
| 59. The liberation of self |
| 60. The sublime independent of the expression of evil |
| 61. The comic |
| 62. Wit |
| 63. Humour |
| 64. The grotesque |
| 65. The possibility of finite perfection |
| 66. The stability of the ideal |
| 67. Conclusion |
| INDEX |